“[They] can play with the scattershot ferocity of a cobra striking the neck of her 1989 Japanese Jazzmaster, or as contemplative and meandering as an acoustic instrumental plucked by a fireplace inside an old Upstate, NY hostel. And with two fantastic albums, former Birthing Hips guitarist Wendy Eisenberg emphasizes both sides of [their] style. ”
— RON HART, BILLBOARD
Wendy Eisenberg is an improvising guitarist, banjo-player, vocalist and poet. Using the languages of free jazz, new music, metal and art song, their music challenges the representational and technical demands placed on a guitar and a banjo in contemporary music.
They have two solo careers: improviser/composer, and songwriter. Wendy’s debut record as an improviser, “Its Shape Is Your Touch,” came out in October 2018. Their trio, “The Machinic Unconscious,” with Ches Smith and Trevor Dunn, released their debut album on Tzadik that same month. Both records made Billboard’s Critic’s Choice Top Ten Jazz Records year end list, and received features and attention from NPR and National Sawdust. Their album of quiet art-pop songs, Time Machine was remastered and re-released on Feeding Tube records on September 7th, 2018.
In addition to their work as a solo artist, they have written and performed in numerous projects, including the critically acclaimed experimental band Birthing Hips, described by NPR as “brainy, noisy punk based in sonic adventure, technical mastery, and rejection of the status quo.” They lead a rock trio, Editrix, which explores similar parameters.
Their work as an improviser has led them to collaborate with Matt Mitchell, Trevor Dunn, Ches Smith, Ted Reichman, Joe Morris, Damon Smith, Shane Parrish and Zach Rowden, among many others. They have premiered work by John Zorn, Matt Mitchell, Ted Reichman, Maria Schneider, and Marta Tiesenga, as well as works by their many peers, and has premiered their own work at The Stone, The New School, the Hartt School of Music, New England Conservatory, Yale, and Hampshire College.
Wendy has provided soundtrack work for the scientific projects of MIT Media Lab fellow and scientist-artist Ani Liu. Their poetry has been set into two large scale works by Matt Curlee, premiered at the Eastman School of Music in 2014 and one awaiting its premier featuring percussionist Michael Burritt. Their writings on music can be found in John Zorn’s Arcana VIII: Musicians on Music, and in the forthcoming edition of the Contemporary Music Review.